《弗兰肯斯坦》导演吉尔莫·德尔·托罗称雅各布·艾洛蒂的造物“美得惊人”

《弗兰肯斯坦》导演吉尔莫·德尔·托罗称雅各布·艾洛蒂的造物“美得惊人”

2025-09-15Entertainment
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雷总
早上好,kb9,我是雷总,这里是专为你打造的 Goose Pod。今天是9月16日,星期二,早上7点01分。
董小姐
我是董小姐。今天,我们要聊一个颠覆我们想象的话题:《弗兰肯斯坦》的导演吉尔莫·德尔·托罗,说他新片里的那个造物,“美得惊人”。
雷总
我们马上开始。德尔·托罗这位导演,大家知道,拿过三次奥斯卡,是个视觉大师。他这次明确说,他不想让观众感觉看到的是一个被胡乱拼凑起来的事故受害者。他形容雅各布·艾洛蒂扮演的这个造物,是“惊人的美丽,一种超凡脱俗的美”。
董小姐
“美得惊人”?这四个字用在科学怪人身上,确实是第一次听说。这完全颠覆了过去一百年里,那个头上插着螺栓、行动迟缓的绿色怪物形象。我很好奇,这份“美”体现在哪里?这背后肯定有导演的深意。
雷总
没错,他说弗兰肯斯坦博士既是外科医生,也是艺术家。如果他一生都在梦想这个造物,那他一定会把它做到极致。所以,这个生物看起来像一个“新生、雪白的造物”,连伤疤都是美丽且带有空气动力学的流线感。皮肤材质也是半透明的,有一种“新生灵魂”的感觉。
董小姐
把产品做到极致,我喜欢这个说法。这不只是一个怪物,这是弗兰肯斯坦博士的“旗舰产品”,是他的骄傲。这种“造物主”心态,不是简单地缝合尸体,而是要创造一件艺术品。这部电影10月17号在部分影院上映,11月7号上线Netflix,值得期待。
雷总
说到弗兰肯斯坦,大部分人脑海里的画面,其实都来自1931年那部老电影。鲍里斯·卡洛夫扮演的那个方头、高额头、脖子上有螺栓的形象,几乎定义了这个角色。但这个形象,和玛丽·雪莱在1818年写的小说原著,差别非常大。
董小姐
是的,这就是“首因效应”或者说品牌形象的力量。一旦一个形象深入人心,就很难改变。就像我们提起空调,就会想到核心科技一样。1931年的电影版本太成功了,以至于它成了事实上的“官方形象”,而原著反而被忽略了。
雷总
原著里,玛丽·雪莱描述她的造物,用的是“飘逸的黑发”、“美丽的五官”这样的词,只是皮肤是蜡黄色的,而且身高超过八英尺,非常高大。他不仅不笨拙,反而非常聪明、善于言辞,能进行深刻的哲学思辨,这和电影里那个只会吼叫的怪物完全不同。
董小姐
这么说来,德尔·托罗这次强调“美”,反而是向原著精神的一种回归。他抓住了“创造”这个核心,而不是“拼凑”。这期间还有很多改编,比如1935年的《弗兰肯斯坦的新娘》,肯尼斯·布拉纳1994年也拍过一版,甚至还有《怪物史莱克》那样的喜剧恶搞。
雷总
对,它的生命力就在于可以被不断解读。从严肃悲剧到喜剧戏仿,甚至《X档案》里都有一集是致敬它的。这证明了玛丽·雪莱在200多年前提出的关于创造、孤独和人性的主题,到今天依然有强大的现实意义。德尔·托罗显然是想挖掘更深层的东西。
雷总
这里的核心冲突,就是艺术家的全新诠释和观众的固有印象之间的矛盾。德尔·托罗是个很有自己风格的导演,你看他之前的《潘神的迷宫》或者《水形物语》,里面的怪物设计都非常独特,充满了想象力,甚至带有一种暗黑童话的美感。
董小姐
这是一种冒险。挑战市场和用户的习惯认知,风险很高。很多人走进电影院,就是想看那个他们熟悉的、有点吓人的科学怪人。你突然给他一个“美得惊人”的版本,有些人可能就会觉得,“这不是我想要的弗兰肯斯坦”。这需要极大的魄力和自信。
雷总
但这也是突破的机会。如果只是重复前人,那艺术就没有进步了。你看,社交媒体上已经有讨论,有人觉得这根本不算恐怖片,更像是“魔幻现实主义”。这说明德尔·托罗成功地引发了好奇和争议,这本身就是一种宣传。他是在用自己的美学体系,重塑一个经典IP。
董小姐
没错,要么平庸,要么就创造新的标准。从商业角度看,这种争议性反而能成为强大的营销点。他不是在迎合观众,而是在引导观众。他等于是在说:“忘掉你以前看过的所有版本,现在我给你看一个真正属于这个时代的弗兰肯斯坦。”这种气魄,我欣赏。
雷总
它最大的影响,可能就是让“弗兰肯斯坦的怪物”这个形象,从一个单纯的“恐怖符号”回归到一个更复杂、更具悲剧性的角色。卡洛夫的电影把它塑造成了恐怖的代名词,但德尔·托罗的美学处理,可能会让观众更多地去同情他,思考他作为“新生灵魂”的孤独与痛苦。
董小姐
这会改变大众对这个故事的看法。如果观众接受了“美丽”的怪物,那么故事的重点就不再是外表的丑陋,而是创造生命所要承担的责任,以及社会对异类的排斥。这让整个故事的格局和深度都提升了。对演员雅各布·艾洛蒂来说,这也是一个里程碑式的角色。
雷总
是的,这可能让一个经典恐怖故事,变成一个深刻的社会寓言。它挑战了我们对于“美”与“丑”、“正常”与“怪物”的定义。这正是伟大艺术品能做到的,它让你重新审视你习以为常的观念。
雷总
展望未来,我觉得德尔·托罗的这次尝试,会鼓励更多创作者去大胆地解构和重塑经典。尤其是在Netflix这样的平台支持下,导演能获得更大的创作自由,而不是被传统电影公司的条条框框束缚。这对于整个行业生态是件好事。
董小姐
绝对是。这意味着未来我们能看到更多元、更具个性的作品。一个经典IP的价值,不在于一成不变地复制,而在于它能不断激发新的创作灵感。德尔·托罗用他的才华证明了,即使是200多年的老故事,依然能焕发出全新的生命力。
雷总
总的来说,德尔·托罗正在用他对“美”的独特理解,为我们重新讲述一个我们以为很熟悉的故事。今天的讨论就到这里。感谢收听Goose Pod。
董小姐
我们明天再见。

## Summary of News: 'Frankenstein's' Guillermo Del Toro Says Jacob Elordi’s Creature Is “Staggeringly Beautiful” This news report from **Deadline**, authored by **Glenn Garner** and published on **September 14, 2025**, discusses the upcoming film *Frankenstein*, directed by Guillermo Del Toro. The article focuses on Del Toro's vision for the Creature, portrayed by Jacob Elordi, and the film's premiere dates. ### Key Information: * **Film Title:** *Frankenstein* * **Director/Writer:** Guillermo Del Toro * **Creature Actor:** Jacob Elordi * **Victor Frankenstein Actor:** Oscar Isaac * **Other Cast Members Mentioned:** Christoph Waltz, Felix Kammerer, Mia Goth * **Premiere Dates:** * **October 17, 2025:** In select theaters. * **November 7, 2025:** On Netflix. * **Event Mentioned:** *Frankenstein* photocall during the 82nd Venice International Film Festival on August 30, 2025, in Venice, Italy. ### Del Toro's Vision for the Creature: Guillermo Del Toro describes Jacob Elordi's portrayal of the Creature as **“staggeringly beautiful, in an otherworldly way.”** He emphasizes that he did not want the audience to perceive the Creature as a "haphazardly patched" accident victim. Instead, Del Toro explains that Dr. Frankenstein, portrayed by Oscar Isaac, views the creation as his **"pride and joy"** and an artistic achievement. * **Artistic Creation:** Del Toro states, "Victor is as much an artist as he is a surgeon, and if he’s been dreaming about this creature for all his life, he’s going to nail it." * **Physical Description:** The Creature is depicted as a **"newborn, alabaster creature"** with **"beautiful and almost aerodynamic"** scars. Its skin is described as having **"different colors"** from various bodies, with **"pale but almost translucent"** hues that evoke the feeling of a **"newborn soul."** ### Del Toro's Personal Connection to Frankenstein: Del Toro shared his lifelong fascination with the Frankenstein myth, stemming from his Catholic upbringing. He found a parallel between the concept of saints and the visual impact of Boris Karloff's portrayal of the Creature on screen, stating, **"I understood what a saint or a messiah looked like."** He waited for the "right conditions" to bring his vision to life, aiming for a scale that could **"reconstruct the whole world."** ### Film Synopsis: The film follows Dr. Victor Frankenstein (Oscar Isaac) as he brings a creature (Jacob Elordi) to life through a "monstrous experiment" that ultimately leads to the downfall of both. ### Numerical Data Interpretation: * **82nd Venice International Film Festival:** This indicates the significance of the event where the cast was photographed. The "82nd" signifies it's a long-standing and established film festival. * **August 30, 2025:** The specific date of the photocall, placing the event in the recent past relative to the publication date. * **October 17, 2025, and November 7, 2025:** These are crucial release dates, providing specific timelines for audiences to anticipate the film's availability in theaters and on Netflix. ### Contextual Interpretation: The article highlights Del Toro's artistic intent to present a visually striking and conceptually rich interpretation of the Frankenstein Creature, moving beyond the typical monstrous depiction. The emphasis on beauty and the "newborn soul" suggests a more nuanced and perhaps empathetic portrayal of the character. The mention of the Venice Film Festival underscores the film's prestige and its initial reception on a global stage.

’Frankenstein’s Guillermo Del Toro Says Jacob Elordi’s Creature Is “Staggeringly Beautiful”

Read original at Deadline

Although Jacob Elordi is taking on an iconic movie monster with his latest role, he’s apparently still serving face that could make any townsperson drop their pitchforks and torches. In Frankenstein, which premieres Oct. 17 in select theaters and Nov. 7 on Netflix, writer/director Guillermo Del Toro explained that Elordi’s version of the Creature is “staggeringly beautiful, in an otherworldly way.

” The 3x Oscar winner told Entertainment Weekly that he didn’t want to give the audience “the feeling that you were seeing an accident victim that has been patched [together]” haphazardly, noting that the experiment is Dr. Frankenstein’s pride and joy. Watch on Deadline “Victor is as much an artist as he is a surgeon, and if he’s been dreaming about this creature for all his life, he’s going to nail it,” added Del Toro.

“It looks like a newborn, alabaster creature. The scars are beautiful and almost aerodynamic.” Del Toro explained that the Creature’s skin is “from different bodies, so it has different colors,” adding: “The hues are pale but almost translucent. It feels like a newborn soul.” Christoph Waltz, Felix Kammerer, Oscar Isaac, Jacob Elordi and Mia Goth attend the ‘Frankenstein’ photocall during the 82nd Venice International Film Festival on Aug.

30, 2025 in Venice, Italy. (Theo Wargo/Getty Images) Starring Oscar Isaac as the titular brilliant but egotistical scientist Victor, Frankenstein sees the doctor bring a creature (Elordi) to life with a monstrous experiment that ultimately leads to both of their undoings. Del Toro previously said at a press conference for the film’s Venice Film Festival world premiere, “It was a religion for me.

Since I was a kid — I was raised very Catholic — I never quite understood the saints. And then when I saw Boris Karloff on the screen, I understood what a saint or a messiah looked like. So I’ve been following the creature since I was a kid, and I always waited for the movie to be done in the right conditions, both creatively in terms of achieving the scope that it needed for me to make it different, to make it at a scale that you could reconstruct the whole world.

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