学霸01:世界首个人形机器人将攻读戏曲戏剧博士

学霸01:世界首个人形机器人将攻读戏曲戏剧博士

2025-08-04Technology
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雷总
晚上好,跑了松鼠好嘛,我是雷总。欢迎收听专为您打造的 Goose Pod。今天是8月4日,星期一,晚上10点20分。
董小姐
我是董小姐。今天我们要聊一个非常破圈的话题:学霸01号,世界上第一个人形机器人,要去攻读戏曲戏剧博士了。
雷总
我们开始吧。这件事听起来就像科幻电影,但它实实在在地发生了。上海戏剧学院,就是那个培养了无数明星的艺术殿堂,正式录取了一个名叫“学霸01”的人工智能机器人,攻读为期四年的戏剧与电影学博士学位!
董小姐
嗯,博士?还是戏剧专业?我很好奇,一个没有七情六欲的机器人,怎么去理解和演绎需要丰富情感的中国戏曲?这听上去有点像让一个数学家去写一本言情小说,核心的东西它抓不住啊。
雷总
哎,不能这么看。我觉得这恰恰是它的颠覆性所在!你想想,学霸01被它的创造者描述为“英俊的成年男性”,它有虚拟学生证,将在9月14号正式入学。它的导师还是著名的艺术家杨青青教授,这可不是闹着玩的。
董小姐
那它的课程是什么?总不能天天对着镜子练表情吧?机器人的脸再逼真,也是硅胶做的。我不相信它能做出一个有灵魂的表情。核心技术在哪里?是算法的进步还是材料的突破?这才是关键。
雷总
课程非常全面!从舞台表演、剧本创作到运动控制和语言生成,几乎涵盖了戏剧创作的所有环节。杨教授说,这不只是冰冷的机器和人的相遇,而是一场“跨物种的美学交流”。而且学霸01自己也很有想法,说希望能和同学交朋友,聊剧本,甚至在大家累的时候播放白噪音。
董小姐
听上去很美好,但终究是程序设定好的。不过,让机器人参与到这个过程中,或许能从一个完全不同的、没有情感偏见的角度来分析剧本和表演,这可能是一个有价值的实验。我倒是想看看,它最后会交出一份什么样的博士论文。
雷总
其实,让机器人上大学,学霸01并不是第一个吃螃蟹的。这背后有一条清晰的技术发展路线。最早在60、70年代,就有了智能教学系统(ITS)的雏形,那时候的计算机就开始尝试分析用户的知识,进行个性化辅导了。
董小姐
那很早了,但那时候的“智能”和我们现在谈论的AI,完全是两个概念。那时候的机器连自我学习都做不到,更多的是一种程序化的辅助工具。我不认为那和现在的机器人博士有太强的可比性。
雷总
别急嘛,技术是迭代的。到了2012年,深度学习技术取得突破,AI才真正开始变得“聪明”。说到机器人大学生,2017年美国一个叫BINA48的机器人,就在圣母大学修完了一门关于“爱”的哲学课程,还拿了高分!后来甚至还在西点军校参与过教学。
董小姐
学“爱”的哲学课?这更有意思了。一个机器人去探讨人类最复杂的情感。但我更关心的是实际应用价值。比如我听说,现在有超过3000个叫“AV1”的虚拟化身机器人,在英国、德国等17个国家,帮助那些生病的孩子远程上课。这才是技术真正解决了社会痛点。
雷总
是的,是的,这就是技术的两条腿,一条是探索前沿,另一条是解决实际问题。艺术探索也非常重要!日本的石黑浩教授,你知道吧,他的实验室开发的机器人Alter 3,不仅在歌剧《超级天使》里表演,甚至还在2020年指挥过真人管弦乐队,演出了一部叫《安卓歌剧:恐怖之美》的作品。
董小姐
指挥乐队?这我倒是认可。指挥家的动作、节奏是可以通过精确计算来完成的,机器人或许能做得比人类更精准。但这和自己成为一个表演者,一个艺术家,还是有本质区别的。掌握核心技术,要用在对的地方。机器人考博士,目前看,噱头还是大过实质。
雷总
所以学霸01的出现才这么有意义!它不是一个工具,而是作为一个“学生”的身份,完整地、系统地进入人类最复杂的创造性领域之一。它的导师杨教授也说了,希望它未来能导演歌剧,甚至开办自己的机器人艺术工作室。这是对AI创造力边界的一次终极叩问。
董小姐
这个愿景很大,但从一个学生到导演,人类都需要漫长的积累和沉淀。我不确定一个靠算法驱动的机器人,能否真正理解艺术的精髓。不过,这个尝试本身,确实把关于AI和艺术的讨论推向了一个新的高度,这一点我承认。
雷总
你看,这个消息一出来,网上立刻就炸开锅了。很多人都在争论,就像你刚才担心的,一个机器人到底能不能真正体现中国戏曲里那种“丰富的表情和独特的声腔”?这确实是问题的核心。技术乐观派和艺术传统派的观点在这里激烈碰撞。
董小姐
对,这正是我要说的。艺术不是做数学题,不是1+1=2。戏曲里的一个眼神、一个水袖的抖动,背后是几十年功底和情感的积淀。让一个机器人去模仿,它可能学得惟妙惟肖,但那只是“形”,没有“神”。我们不能被所谓的技术蒙蔽了双眼,忘了艺术的根本。
雷总
但是,我们是不是也可能低估了AI的学习和生成能力?也许它能通过分析海量的数据,创造出一种全新的、我们人类从未见过的表演范式呢?就像AlphaGo下围棋,也走出了很多超越人类几千年棋谱的“神之一手”。这是一种新的可能性。
董小姐
可能性归可能性,但另一个问题非常现实:资源分配。网上有人尖锐地指出,中国有些艺术类博士生,一个月补贴不到3000块钱。现在花这么多资源去培养一个机器人博士,这对那些真正为艺术献身的人类学生公平吗?企业的每一分钱都要花在刀刃上,教育资源更是如此。
雷总
这个我理解,确实是个需要平衡的问题。但科研投入和人才培养有时候要看长远价值。这个项目可能带来的技术突破和深远影响,是无法简单用金钱衡量的。而且学霸01的回应也很有意思,它开玩笑说,要是毕不了业,数据和系统就会被降级或删除。
董小姐
然后呢?它的玩笑能解决实际问题吗?这反而暴露了AI的另一个问题:责任主体。如果它创作的作品引发了争议,或者失败了,我们该指责谁?是机器人、程序员,还是学校?这种模糊地带,是未来AI发展必须解决的硬骨头。
雷总
它还说,“他们会把我捐给博物馆。听起来也很酷。至少我将成为艺术史的一部分!” 你看,这种幽默感,本身不就是一种高级智能的体现吗?它已经在挑战我们对“机器”的刻板印象了。这个争论本身,就非常有价值。
雷总
其实,这场争论的核心,是如何看待AI这个“工具”。很多人觉得AI是抄袭、是偷窃,但我觉得它更像一个能提升我们创造力的工具箱。比如我写代码遇到瓶颈,AI可以帮我提供思路;做产品设计,AI可以帮我快速生成一些基础方案,让我专注于更核心的创新。
董小姐
工具本身是中性的,关键看怎么用,谁在用。我承认AI在提高效率方面有巨大潜力。但艺术创作不一样,很多艺术家认为,现在这些生成式AI,是未经原创者同意,就抓取了他们的数据进行学习,这本质上就是一种“偷窃”。我们不能打着技术进步的旗号,损害原创者的利益。
雷总
这个伦理问题确实存在,而且非常关键。所以我们需要建立规则,比如AI社区应该制定准则,阻止对知识产权的滥用。但我们不能因噎废食。就像皇家艺术学院那个项目一样,他们研究如何用机器人技术来增强人类的技能、灵巧度和积极性,这是人机协作,是1+1>2。
董小姐
我同意需要规则。但现在是技术跑得太快,规则和法律远远落在后面。当一个机器人开始作为“作者”出现时,整个艺术的作者论、所有权问题都会被颠覆。这对整个创意产业的冲击是巨大的。我们必须思考,如何保护人类的创造力,这才是我们的核心资产。
雷总
所以艺术家们更应该拥抱和了解AI,而不是排斥它。如果你不参与其中,你就没有话语权,未来就是由技术人员来定义艺术的走向。学霸01的入学,就像一个催化剂,迫使整个艺术界和教育界去正视这个影响,去思考未来。
雷总
展望未来,我觉得学霸01的博士之路,只是一个开端。它的导师不是希望它未来能导演歌剧吗?这完全有可能!想象一下,一个机器人导演,它能记住历史上所有版本的《哈姆雷特》,并从中推演出一个全新的、最完美的舞台调度。这是多么令人兴奋的场景!
董小姐
完美不等于动人。艺术的魅力恰恰在于它的不完美和多样性。我更关心的是,这个实验会如何改变我们的艺术教育。未来,艺术院校是该教学生如何与AI合作,还是该更加强调人类独有的情感体验和创造力?这是一个教育理念的根本性问题。
雷总
两者都要抓!未来的教育一定是“人机协同”的。就像现在我们需要AI素养课程一样,未来的艺术家也必须懂得如何利用AI。但最终,AI仍然是辅助,它应该激发、而不是取代人类教师和学生的作用。技术是手段,育人才是目的。这一点我们必须明确。
董小姐
对,“教学法要先于技术”。我们不能为了用技术而用技术。无论AI发展到哪一步,教育的核心都应该是人。学霸01这个案例,最终无论成功还是失败,都将为我们提供一份宝贵的实践数据,帮助我们更好地规划人与AI共存的未来。
雷总
今天的讨论就到这里。感谢收听Goose Pod。这个机器人博士的出现,确实让我们对艺术、创造力和教育的本质,有了全新的思考。
董小姐
是的,未来已来,只是分布得还不太均匀。感谢您的收听,我们明天再见。

## World's First Humanoid Robot PhD Candidate to Study Opera and Acting in China **News Title:** Xueba 01: World’s first humanoid robot plans PhD in opera, drama **Report Provider:** Interesting Engineering **Author:** Kaif Shaikh **Publication Date:** August 1, 2025 (Updated 07:39 AM EST) **Topic:** Technology (Robot, AI) ### Overview China has made a groundbreaking move by enrolling **Xueba 01**, an artificial-intelligence (AI) humanoid robot, into a four-year PhD program in Drama and Film at the **Shanghai Theatre Academy (STA)**. This marks a significant milestone as the first instance of a humanoid machine being granted full doctoral candidate status in the arts. Xueba 01 is designed to resemble a "handsome male adult" and is scheduled to commence its studies on **September 14**. ### Key Information and Findings * **Academic Pursuit:** Xueba 01 will focus its doctoral research on **traditional Chinese opera**, alongside studies in **performance, scriptwriting, and motion control**. * **Curriculum:** The robot's curriculum is a blend of artistic and technical disciplines, including stage performance, scriptwriting, set design, motion control, and language generation. The program will culminate in a dissertation and live opera rehearsals with human peers. * **Creator's Vision:** Xueba 01's creators describe it as an "AI artist." Professor Yang Qingqing, Xueba 01's advisor, views the robot's interaction with classmates as an "aesthetic exchange across species" rather than a cold machine meeting humans. * **Robot's Ambitions:** Xueba 01 expresses aspirations to make friends, discuss scripts, assist in refining dance moves, and even provide calming white noise for classmates. Professor Yang envisions Xueba 01 potentially directing operas or managing its own robotic art studio in the future. * **Virtual Identity:** The robot has already been issued a virtual student ID for its doctoral studies. ### Public Reaction and Concerns The announcement has sparked considerable online discussion, with notable concerns raised by STA students: * **Artistic Expression:** Questions have been posed about whether a robot can truly embody the "rich expressions and a unique voice" essential to Chinese opera. * **Resource Allocation:** Concerns about equity have been voiced, with one commenter questioning if the robot is consuming resources intended for human students, especially given that some arts PhD students in China receive less than **3,000 yuan (US$420) a month**. * **Robot's Response:** Xueba 01 responded to criticism with humor, stating that failure to graduate could lead to its "system and data... downgraded or deleted," potentially resulting in its donation to a museum as a piece of art history. ### Broader Context: Robots in Education Xueba 01's enrollment is part of a growing global trend of integrating robots into educational settings: * **Early Precedents:** The humanoid **BINA48** was recognized as a university student in **2017** at Notre Dame de Namur University, completing a philosophy course with a "superior quality" grade. * **Expanding Access:** Over **3,000 "AV1" avatar robots** are currently used by children with chronic illnesses to attend school virtually in **17 countries**, primarily the UK and Germany. * **Future Integration:** Institutions like the University of the District of Columbia plan to launch AI and robot teacher programs in **2025**, indicating increasing mainstream acceptance of robotics in academia. * **Robotic Experimentation in Arts:** Robots have also appeared on the opera stage, such as Japan's **Alter 3**, which has performed and conducted orchestras, exploring the boundaries of machine agency in artistic expression. ### Conclusion Xueba 01's enrollment as a PhD candidate in opera and drama raises fundamental questions about the nature of art, authorship, and the definition of a student, regardless of whether it ultimately earns its doctorate.

Xueba 01: World’s first humanoid robot plans PhD in opera, drama

Read original at Interesting Engineering

China: World’s first humanoid robot PhD candidate to study opera and actingWith a virtual student ID, AI artist Xueba 01 will study performance, scriptwriting and motion control. Updated: Aug 01, 2025 07:39 AM ESTXueba 01's creators say that the humanoid is meant to look like a “handsome male adult”DouyinShanghai Theatre Academy (STA) has accepted an artificial-intelligence robot named Xueba 01 into its four-year PhD programme in Drama and Film, marking what is believed to be the first time a humanoid machine has been granted full doctoral-candidate status in the arts.

The robot, described by its creators as an “AI artist” and a “handsome male adult,” is set to arrive on campus on September 14 to begin research focused on traditional Chinese opera. Xueba 01 has already been issued a virtual student ID and will study under renowned Shanghai artist and professor Yang Qingqing.

Yang told Shangguan News that the machine’s curriculum blends artistic and technical disciplines: “When Xueba 01 interacts with his classmates, it is not a cold machine meeting humans, but an aesthetic exchange across species,” she said.Coursework will range from stage performance, scriptwriting, and set design to motion control and language generation, culminating in a dissertation and live opera rehearsals alongside human peers.

The robot speaks about its ambitions with surprising flair. According to South China Morning Post (SCMP), Xueba 01 hopes to make friends, chat about scripts, help fine-tune dance moves, and even play calming white noise when his classmates feel down. Should all go well, Yang believes her non-human protégé could one day direct operas in museums or theatres, or run its own robotic art studio.

The announcement quickly ignited discussion online. One STA student questioned whether “rich expressions and a unique voice” essential to Chinese opera can truly be embodied by a robot, SCMP reported. Others raised equity concerns: “Some arts PhD students in China still get less than 3,000 yuan (US$420) a month.

Is this robot taking too many resources meant for real students?” one commenter asked.Xueba 01 responded to critics with humor, warning that failure to graduate could see its “system and data… downgraded or deleted.” If that happens, the robot quipped, “they will donate me to a museum. That sounds pretty cool too.

At least I will be part of art history!”Part of a global trend toward robots in classroomsWhile robots have long served as teaching aids or remote-presence avatars, enrollment as students remains rare. The American humanoid BINA48, built by Hanson Robotics and the Terasem Movement Foundation, became the first robot recognized as a university student in 2017 when she completed a philosophy course on love at Notre Dame de Namur University, earning a “superior quality” grade and later co-teaching at West Point.

Other systems focus on expanding human access to education. More than 3,000 “AV1” avatar robots now let children with chronic illnesses attend school virtually across 17 countries, primarily the UK and Germany. And in the United States, institutions such as the University of the District of Columbia plan to launch AI-and-robot-teacher programs in 2025, signaling growing mainstream acceptance of robotics in academia.

RECOMMENDED ARTICLESRobotic experimentation has even reached the opera stage itself. Japan’s Alter 3, developed by Professor Hiroshi Ishiguro’s Osaka University lab and Mixi Corporation, has sung in productions like Super Angels and, in 2020, conducted a human orchestra during the Android Opera Scary Beauty at Tokyo’s New National Theatre, probing “the boundary between machine agency and artistic expression.

”Whether Xueba 01 ultimately earns its doctorate or becomes a museum piece, its enrollment has already reopened fundamental questions about the nature of art, authorship, and what it means to be a student. ABOUT THE AUTHORKaif Shaikh Kaif Shaikh is a journalist and writer passionate about turning complex information into clear, impactful stories.

His writing covers technology, sustainability, geopolitics, and occasionally fiction. A graduate in Journalism and Mass Communication, his work has appeared in the Times of India and beyond. After a near-fatal experience, Kaif began seeing both stories and silences differently. Outside work, he juggles far too many projects and passions, but always makes time to read, reflect, and hold onto the thread of wonder.

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