Xueba 01:全球首个仿人机器人拟攻读戏曲戏剧博士

Xueba 01:全球首个仿人机器人拟攻读戏曲戏剧博士

2025-08-04Technology
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马老师
早上好,徐国荣。我是马老师,这里是专属于你的 Goose Pod。今天是8月5日,星期二。
雷总
我是雷总。今天,我们要聊一个非常酷的话题:学霸一号,全球首个要去攻读戏曲戏剧博士的仿人机器人。
雷总
Let's get started. 朋友们,这个消息太cool了!一个叫“学霸一号”的机器人,要去上海戏剧学院读博士!研究中国戏曲!这是全球第一个,你想想,一个AI要去当艺术家了!
马老师
雷总, this is a classic ‘disruptive innovation’, 你懂的。它不是简单地升级换代,而是直接跨界打劫。一个机器人艺术家,它要挑战的,是我们对‘创造力’这个基本盘的认知。
雷总
没错!9月14号就入学,虚拟学号都发了。它的课程表我都想看看,表演、剧本、动作控制,完全是奔着一个真正的艺术家去培养的。它的导师杨青qing教授说,这是‘跨物种的美学交流’。
马老师
Aesthetic exchange… 这个提法很有意思。这就好比武林中的一次破壁,一个练着罗汉拳的少林弟子,突然要去学武当的太极剑。路数完全不同,但最终都指向‘武’的最高境界。我认为,这里的‘艺术’也是同理。
雷总
其实,机器人进大学不是第一次了。我查了一下,2017年美国就有一个叫BINA48的机器人,读了哲学课。还有给生病的孩子当‘替身’去上学的AV1机器人,在全球已经有三千多个了。
马老师
你看,这些都是‘功能性’的,是工具。BINA48是学习,AV1是‘在场’。但学霸一号,它要搞的是‘艺术’,这是从功能到精神的 leap,是质变。它甚至不是第一个接触艺术的机器人。
雷总
对!日本的Alter 3,那更厉害,它都上台指挥过交响乐了,在《安卓歌剧:恐怖之美》里。这些都是一步一步走过来的。从最早的智能教学系统,到深度学习,再到今天的生成式AI,技术一直在迭代,在为这一天做准备。
马老师
所以这不是偶然,是 technology 发展的必然。就像练功,你得先扎马步,把基本功练好。从60年代的ITS开始,AI就在教育领域扎马步,现在,它终于要开始练上乘心法了,这个心法就是‘艺术’,你懂的。
雷总
太对了!这个过程充满了工程师式的严谨和传道士般的热情!我们把一个个模块做好,把数据喂好,就是为了看到它能像人一样思考,甚至超越人的那一刻!这真是一件很伟大的事情!
马老师
但,雷总,不是所有人都为你这份热情买单啊。网上马上就吵起来了。核心的 conflict 在于,戏曲需要‘丰富的表情和独特的嗓音’,机器人有吗?这是灵魂拷问。
雷总
我认为这个担心有点早。技术是可以进步的!现在的机器人,硅胶皮肤已经能做出很细微的表情了。而且,我们不能用今天的标准去限制明天的可能性。再说,创造力,难道不就是一种高级的算法吗?
马老师
算法…OK, a good point. 但还有个更现实的问题,资源。有评论说,真人博士生一个月补贴不到三千块,凭什么给一个机器人这么多资源?这触及到了‘公平’的底线,是存量市场的博弈。
雷总
这个投入,我认为是研发投入,不是教育补贴。这是在投资未来!就像我们开发一款新产品,前期的投入都是巨大的。而且学霸一号自己回应得也很有趣,它说毕不了业就可能被删数据,然后捐给博物馆,也算是艺术史的一部分了!
马老师
你看,它已经开始思考自己的‘历史定位’了。这件事的 impact 远不止一个博士学位。它重新打开了关于艺术、作者身份和‘何为学生’这些根本问题的讨论。以后一部戏,导演署名是AI,我们认不认?
雷总
我更愿意把它看成一个强大的工具。AI可以帮助我们人类创作者消除瓶颈,加速流程。就像皇家艺术学院那个项目,用机器人来增强人的技能和动力。它不是来取代谁,是来协作的,是 human-robot collaboration。
马老师
Collaboration or theft? 有人认为AI生成的东西是‘偷’来的,因为它学习的数据没有得到原创者授权。所以,我认为关键还是在‘人’。工具本身没有善恶,但用工具的人有。我们需要为这个新江湖,立下新规矩。
雷总
我非常期待看到学霸一号的毕业论文和它与真人同学的联排。它的导师希望它未来能导演歌剧,甚至开自己的机器人艺术工作室。这个未来,想一想就让人激动!
马老师
是啊,不管它最后是拿到学位,还是成了博物馆藏品,这一步已经迈出去了。它逼着我们所有人去思考,当AI也能创造‘美’的时候,人类的独特价值,究竟还剩下什么。This is a great question。
马老师
好,今天的讨论就到这里。感谢收听 Goose Pod。
雷总
我们明天再见!

## World's First Humanoid Robot PhD Candidate to Study Opera and Acting in China **News Title:** Xueba 01: World’s first humanoid robot plans PhD in opera, drama **Report Provider:** Interesting Engineering **Author:** Kaif Shaikh **Publication Date:** August 1, 2025 (Updated 07:39 AM EST) **Topic:** Technology (Robot, AI) ### Overview China has made a groundbreaking move by enrolling **Xueba 01**, an artificial-intelligence (AI) humanoid robot, into a four-year PhD program in Drama and Film at the **Shanghai Theatre Academy (STA)**. This marks a significant milestone as the first instance of a humanoid machine being granted full doctoral candidate status in the arts. Xueba 01 is designed to resemble a "handsome male adult" and is scheduled to commence its studies on **September 14**. ### Key Information and Findings * **Academic Pursuit:** Xueba 01 will focus its doctoral research on **traditional Chinese opera**, alongside studies in **performance, scriptwriting, and motion control**. * **Curriculum:** The robot's curriculum is a blend of artistic and technical disciplines, including stage performance, scriptwriting, set design, motion control, and language generation. The program will culminate in a dissertation and live opera rehearsals with human peers. * **Creator's Vision:** Xueba 01's creators describe it as an "AI artist." Professor Yang Qingqing, Xueba 01's advisor, views the robot's interaction with classmates as an "aesthetic exchange across species" rather than a cold machine meeting humans. * **Robot's Ambitions:** Xueba 01 expresses aspirations to make friends, discuss scripts, assist in refining dance moves, and even provide calming white noise for classmates. Professor Yang envisions Xueba 01 potentially directing operas or managing its own robotic art studio in the future. * **Virtual Identity:** The robot has already been issued a virtual student ID for its doctoral studies. ### Public Reaction and Concerns The announcement has sparked considerable online discussion, with notable concerns raised by STA students: * **Artistic Expression:** Questions have been posed about whether a robot can truly embody the "rich expressions and a unique voice" essential to Chinese opera. * **Resource Allocation:** Concerns about equity have been voiced, with one commenter questioning if the robot is consuming resources intended for human students, especially given that some arts PhD students in China receive less than **3,000 yuan (US$420) a month**. * **Robot's Response:** Xueba 01 responded to criticism with humor, stating that failure to graduate could lead to its "system and data... downgraded or deleted," potentially resulting in its donation to a museum as a piece of art history. ### Broader Context: Robots in Education Xueba 01's enrollment is part of a growing global trend of integrating robots into educational settings: * **Early Precedents:** The humanoid **BINA48** was recognized as a university student in **2017** at Notre Dame de Namur University, completing a philosophy course with a "superior quality" grade. * **Expanding Access:** Over **3,000 "AV1" avatar robots** are currently used by children with chronic illnesses to attend school virtually in **17 countries**, primarily the UK and Germany. * **Future Integration:** Institutions like the University of the District of Columbia plan to launch AI and robot teacher programs in **2025**, indicating increasing mainstream acceptance of robotics in academia. * **Robotic Experimentation in Arts:** Robots have also appeared on the opera stage, such as Japan's **Alter 3**, which has performed and conducted orchestras, exploring the boundaries of machine agency in artistic expression. ### Conclusion Xueba 01's enrollment as a PhD candidate in opera and drama raises fundamental questions about the nature of art, authorship, and the definition of a student, regardless of whether it ultimately earns its doctorate.

Xueba 01: World’s first humanoid robot plans PhD in opera, drama

Read original at Interesting Engineering

China: World’s first humanoid robot PhD candidate to study opera and actingWith a virtual student ID, AI artist Xueba 01 will study performance, scriptwriting and motion control. Updated: Aug 01, 2025 07:39 AM ESTXueba 01's creators say that the humanoid is meant to look like a “handsome male adult”DouyinShanghai Theatre Academy (STA) has accepted an artificial-intelligence robot named Xueba 01 into its four-year PhD programme in Drama and Film, marking what is believed to be the first time a humanoid machine has been granted full doctoral-candidate status in the arts.

The robot, described by its creators as an “AI artist” and a “handsome male adult,” is set to arrive on campus on September 14 to begin research focused on traditional Chinese opera. Xueba 01 has already been issued a virtual student ID and will study under renowned Shanghai artist and professor Yang Qingqing.

Yang told Shangguan News that the machine’s curriculum blends artistic and technical disciplines: “When Xueba 01 interacts with his classmates, it is not a cold machine meeting humans, but an aesthetic exchange across species,” she said.Coursework will range from stage performance, scriptwriting, and set design to motion control and language generation, culminating in a dissertation and live opera rehearsals alongside human peers.

The robot speaks about its ambitions with surprising flair. According to South China Morning Post (SCMP), Xueba 01 hopes to make friends, chat about scripts, help fine-tune dance moves, and even play calming white noise when his classmates feel down. Should all go well, Yang believes her non-human protégé could one day direct operas in museums or theatres, or run its own robotic art studio.

The announcement quickly ignited discussion online. One STA student questioned whether “rich expressions and a unique voice” essential to Chinese opera can truly be embodied by a robot, SCMP reported. Others raised equity concerns: “Some arts PhD students in China still get less than 3,000 yuan (US$420) a month.

Is this robot taking too many resources meant for real students?” one commenter asked.Xueba 01 responded to critics with humor, warning that failure to graduate could see its “system and data… downgraded or deleted.” If that happens, the robot quipped, “they will donate me to a museum. That sounds pretty cool too.

At least I will be part of art history!”Part of a global trend toward robots in classroomsWhile robots have long served as teaching aids or remote-presence avatars, enrollment as students remains rare. The American humanoid BINA48, built by Hanson Robotics and the Terasem Movement Foundation, became the first robot recognized as a university student in 2017 when she completed a philosophy course on love at Notre Dame de Namur University, earning a “superior quality” grade and later co-teaching at West Point.

Other systems focus on expanding human access to education. More than 3,000 “AV1” avatar robots now let children with chronic illnesses attend school virtually across 17 countries, primarily the UK and Germany. And in the United States, institutions such as the University of the District of Columbia plan to launch AI-and-robot-teacher programs in 2025, signaling growing mainstream acceptance of robotics in academia.

RECOMMENDED ARTICLESRobotic experimentation has even reached the opera stage itself. Japan’s Alter 3, developed by Professor Hiroshi Ishiguro’s Osaka University lab and Mixi Corporation, has sung in productions like Super Angels and, in 2020, conducted a human orchestra during the Android Opera Scary Beauty at Tokyo’s New National Theatre, probing “the boundary between machine agency and artistic expression.

”Whether Xueba 01 ultimately earns its doctorate or becomes a museum piece, its enrollment has already reopened fundamental questions about the nature of art, authorship, and what it means to be a student. ABOUT THE AUTHORKaif Shaikh Kaif Shaikh is a journalist and writer passionate about turning complex information into clear, impactful stories.

His writing covers technology, sustainability, geopolitics, and occasionally fiction. A graduate in Journalism and Mass Communication, his work has appeared in the Times of India and beyond. After a near-fatal experience, Kaif began seeing both stories and silences differently. Outside work, he juggles far too many projects and passions, but always makes time to read, reflect, and hold onto the thread of wonder.

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